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| FAV Community Projects |
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| "Revisit the Red Car" Mural |
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| In the 1950’s, the Pacific Electric Red Car’s Glendale/Burbank line ceased operating between downtown Los Angeles and Glendale. Six concrete pillars that supported the car’s passage over the Los Angeles River are all that remain. Passersby since then have wondered what purpose the massive pillars once served. With today’s dedication of “Reclaim, Respect, Revisit”, a vibrant mural celebrates the Red Car and perhaps creates a source of hope for our neighborhood, the river and the cause of mass transit in Los Angeles. The mural was created in October by artist lead Rafael Escamilla, together with contributing artists Tom Hinds & Roxanne Salazar. The 30 foot by 40 foot mural was commissioned by Friends of Atwater Village (FAV) and funded with City of Los Angeles’ Board of Public Works Community Beautification Grant, as well as private donations raised in September 2004 at the LA River Center. The Red Car crossed over the river at this location from Silver Lake and into Atwater Village on its way to Glendale. FAV created the mural in hopes of reclaiming a previously blighted and neglected area on the bank of the LA River for local residents. FAV's overall goal is to increase safety and access for residents seeking recreation and a connection to the river. The effort builds on a small pocket park installed by Northeast Trees on the Southeast side of the Hyperion Bridge at the LA River. |
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| About the Artists Rafael Escamilla - Lead Artist “My creative work comes from a conscious effort to communicate with the viewer. This consciousness inspires to investigate realties that I commit myself to exploring as objectively as possible. One consistent theme that emerges from my work stems from my personal research. I find that I struggle enthusiastically with hope as a vision for a more just and humane society”. Rafael Escamilla was born in La Libertad, El Salvador. He began studies in architectural drawing at the National University in San Salvador. IN the early 1980’s, Escamilla fled to Oaxaca, Mexico, due to the Salvadoran Civil War and its dire economic consequences. |
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| As he sought refuge first in Guatemala and then in southern Mexico, Escamilla appreciated intuitively and internalized enthusiastically the new landscapes, colors, and indigenous artistic traditions over several years. The tropical colors of his homeland still live within him. By the mid-1980’s, he made his way to Los Angeles, where he was involved immediately in the Central American refugee community. Visual memory becomes quite important as an element in his work. His artistic epiphanies in exile serve him well as his in a identifiably unique style of painting, both in his murals, but especially in his canvases large and small. His work “Waiting for a Change”, (acrylic on canvas, 1988) was selected for an exhibition during the 1988 Olympics in Seoul, Korea. His work has graced the covers of several magazines. “Claudia” (1987) appeared on the cover of America 2001 in 1987. “Statue of Liberty” (1987) came out on the cover of Los Latinos in 1987. Several of his Los Angeles murals are outstanding works of art: “Peace, Friendship and Happiness in Our World” (1988 –1989) at Hobart Elementary School in Korea town, with its unforgettable multicultural images of actual school children, stood as the backdrop of public discussions immediately following the 1992 Los Angeles riots, in public service announcements and in commercials during this same time period. “Missions of California,”(2001) a two-hundred foot long mural located at the corner of Fletcher Street and Larga Avenue in Atwater, tells the stories that inform the lives of older and younger people in the residential neighborhood. His urban landscapes of Los Angeles include freeways as the veins of city life, and convey through organic forms modernity and a vibrantly colorful vision of life. Rafael Escamilla works with patrons to evoke their aesthetic concerns. Based on those conversations, Escamilla then looks into are books and literature, where he formulates and experiments to develop visions for his very diverse clients’ approval, as he executes murals and canvases for private homes and work places from Laguna Beach and Long Beach to Santa Monica and Beverly Hills. Escamilla co-founded Grupo de Artistas Salvadoreños in 1996 as a means of bringing together and exhibiting Salvadoran visual artists in Los Angeles. Many of Escamilla’s paintings are housed in private collections. He has exhibited in the Museum of Latin American Art (MOLA) in Long Beach, California, and in art galleries throughout Central America, Mexico, Russia, North America, and Europe. |
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| Tom Hinds, Contributing Artist Born and raised in Los Angeles, Tom is a working artist who has exhibited photography, sculpture and painting. He met Rafael Escamilla by accident: Both were next door neighbors in the early 1990s and have been helping one another on projects ever since. They are friends who work well together.Tom wishes there were more community-based projects like this one to work on, and thanks the activists who took on the bureaucracy to make this grant happen and result in this very positive project. Roxanne Salazar, Contributing Artist Roxanne is a native Maya-Nahua-Pipil/Nahilobasquena. She earned an Associate in Liberal Arts and Baccalaureate in Acting/Directing. While traveling through the United States, she has witnessed the discrimination, misconceptions, and a great variety of stereotypes towards the native American communities as well as other varieties of culture communities at all levels. As a multimedia artist she has exposed Native Americans and other cultural social issues in a wide variety of art mediums. However, she is the ambassador of her ancestors to educate and remind everyone to work together to preserve history in the making at all levels. The Red Car Park Mural is the product of working as a whole and a great reward for the community. Roxanne’s creativity includes murals at educational sites, which she has found to be food for her spirit and nurturing future artists. She is a huge shield to children. She believes children are the teachers of COURAGE, GENEROSITY, RESPECT AND WISDOM. She is currently working on her new “Children of the Corn” book. |
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| Project Photo Gallery |
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| The Making of the Mural new browser will open Dedication Ceremony new browser will open |
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| Special Thanks L.A. City Council President Eric Garcetti Atwater Village / Chevy Chase Teen Club Clean & Green Crews Darin Williams – Select Patrol FAV Volunteers Gerry Valido – Operation Clean Sweep Heather Speight – LA County Dept. of Public Works Hollywood Beautification Team Joe Linton - FOLAR Michael Espinoza – Community Beautification Mitch O’Farrell – CD13 Deputy District Director Norma Edith Garcia M.A. – Office of Supervisor Gloria Molina Northeast Trees Officer Colenzo – LAPD, PACE Officer Gina Chovan – LAPD SLO Ray Valentine – Maintaining Mother Earth Sky City Productions – Christy Vasquez & Thom Ebhardt All attendees and donors at our Revisit the Red Car fundraiser event on September 2004 |
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| Click here for more information about the Red Car River Park... |
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